remembering college – Academia Nuts by William Bland

a man and his dog

by debora Ewing
buy the book: Academia Nuts by William Bland

William Bland is a polymath.

Cribbing from the back of Academia Nuts: “in 1998 he began a series of 24 piano sonatas each in a different key, which was completed in 2014. In 2002, a visit from a former student, Alexander Seward, inspired him to begin writing a series of poems to accompany the writing of the sonatas. From 2002-2007 approximately five hundred eighty poems were written under the comprehensive title “Poems Accompanying Sonatas.” Several series of poems developed within the larger structure, including the series entitled “Academia Nuts”, written cautionarily for Alexander as he entered his university studies.”

I’m curious to see the entire collection of 580, but I feel Academia Nuts is perfectly curated. I sense a love of academia running like rails alongside a warning to Youth from a tired generation. Ardor is as much a character in the narrative as are clowns, connoisseurs, and head-jars. Words lead naturally into each other, creating melody. If you want, you can sink dreamily into the page, close your eyes, and feel the music. I’ve found myself immediately reading excerpts twice: once for rhythm and once for content.

The piece I chose to read for you, Academia Nuts–Series 2, No. 10, captures the sarcasm of an English Department’s cream-of-the-crop…oops, did I mean me?? I did mean me. We were terrible, with all the crushes on John and his turtleneck sweaters, sitting on desks, criticizing Rob’s spoken English while he talked to his current students (where are your prepositional phrases?); calling our professors by their first names. Making fun of the other students who were making fun of the professors, or us, or each other, or taking themselves way too seriously. Riffing on each other’s poems, not always complimentarily. I wonder how often Andrew caught a whiff of what he’d been given in this gift of poetry from William Bland.

I chose the piece I did because it was pretty straightforward in reading – I could make the jokes-in-type audible for you. The poet takes care to play games with punctuation and syllable. Visual elements make printed page indispensable. And his vocabulary is leaking into my fingers. You’re welcome.

…and this is a perfect segue into telling you what William Bland is doing these days. As C. Damon Carter, and with the same profound mind that wrote 580 poems, Bland has painted over 137 visual poems since December 2020. He has several themes: lovers, dragons, landscapes, religion, conversations.

I especially like this because THERE ARE WORDS in there.

No. 17 “Portrait of Pontius Pilate, inverted” Acrylic on Canvas 36″ x 24″

Carter writes that “for years, I have admired the words of Pontius Pilate, especially his response to a request to change the inscription over the cross of Jesus: ‘What I have written, I have written.’ Carter’s powerful portrait includes the inscription of that statement in Latin.

Contact: Becky Starobin
becky@bridgerecords.com

I love the viscerality, the rawness of passion, the mirroring – is it another entity, or a reflection of self?

No. 70 “My Dragon’s Lust” 24×30 Acrylic on Canvas

The second of the dragon trilogy is an erotic and complex painting with two dragons, two large anthropomorphic forms in the foreground, and numerous flowers, arches and curves.

Contact: Becky Starobin
becky@bridgerecords.com

No. 137 Centre Street, near Eastern Blvd, Baltimore, 1971 “for an LSD instant, I felt I understood the structure of everything” 20×30

“This painting is an evocation of a scene set in Baltimore in 1971. One night, having taken LSD, I looked out from the balcony of my apartment, and for the briefest of instants felt as if I understood the structure, the dynamics, the geometrics of everything. The moment passed as quickly as I had felt it, but I never forgot the feeling.”

–C. Damon Carter, March 2022

In art, as in words, William Bland & his alter-ego/true self C. Damon Carter seem to draw the line which doesn’t quite separate the natural world from the surreal. Please go to the website and see the whole collection – it’s still growing.

You see the madness?
Then, get out of the reach
of dictators who have lured your
body
by appealing to your
mind.
Vibrations and hallucinations aside,


be
free.

– William Bland, academia nuts

Further Reading:

buy the book: Academia Nuts by William Bland

William Bland recordings and sheet music are available at Bridge Records, here.

See all the paintings of C. Damon Carter Here. For more information, or to purchase, contact: Becky Starobin.

Bridge Records is an indefatigable resource for the deeper aspects of classical music. David Starobin directed the biopic String Trio, Los Angeles 1946, chronicling the birth of Schönberg’s String Trio, Op. 45.

Arnold Schönberg himself was a painter/composer. An interesting perspective on the parallels of his art and music is published here by College Music Symposium in 1995. A JStor .pdf is available.

Watch a lite version of the biography here: String Trio, Los Angeles 1946

Arnold Schönberg Center: From the Archive – Database Relaunch is a collection of correspondence to and from the composer, including plans for compositions, details peripheral to printing processes, non-musical activities, and family life.


poetry as from a kitchen window – a review of Wheeler Lane by Julia Wendell

Wheeler Lane book cover

Julia Wendell, Wheeler Lane (1st Edition) English (buy this book)
Review by deb Ewing

And then ten years went by.

I’d decided to review Julia Wendel‘s poetry collection next in my series of Igneus Press titles because I wanted to focus on the feminine as part of the human animal, not as an Other. I’d dog-eared a few pages because I am that monster (I also write in the margins, even in what should be a fancy coffee table book. I don’t have a coffee table.) And I’d thrown the book in my bag to read while travelling to Philadelphia for an art reception in which I was an honoree.

And, as I often do, I opened the book eyes closed like I’d thrown I Ching coins to see what wisdom popped out at me. It was that one line, top of the page: And then ten years went by.

This is a feeling I think we all know.

Julia Wendell is telling the story of a lifetime in these pages, almost more a reporter than participant. And there’s something edifying in that to me, because I like to do the same thing: I tell you what I see. It’s up to you to draw your own conclusions. Sometimes the conclusion drawn through someone else’s observation is more startling than we’d let ourselves notice in our own lives.

Because I don’t know the game Baccarat – paired with Passion in the title of Julia’s poem – I researched. I wanted to know why she chose this juxtaposition. Baccarat is a comparing of cards, in which either the “bank” or the player can win, or there can be a tie. This gamble is woven throughout Wheeler Lane – the narrator is complicit in choosing to gamble, and there’s a great deal of waiting for outcomes.

Julia tells the story of someone else’s dream deflating in the measured tone of someone who’s tired of arguing, tired of being wrong, as she watches a portable greenhouse fail. This is the story I know of being a woman, a mother, a spouse, in the United States. I don’t claim that the story is ubiquitous, but my Indian friend tells me how’s she’s doing: “Oh you know, this son, this husband.” Yeah, I know; I’ve been there, too.

And then ten years went by.

I can measure a few of those increments in my life – usually I ended up in another state, one way or another, by the end of it. Sometimes ten years was actually thirteen, or two and a half. But you wonder why you can’t remember exactly what happened then. Julia Wheeler implies that these decades are measured in things acquired, often for someone else.

Are we the ghosts of our own stories?

A couple of things stand out to me in this piece – one is near the end, Wendell’s repetition of the words ‘less sexual.’ Repetition is tricky in poetry and has to be used with precision; here, it is. I want to say, too, that I love the ampersand as a piece of punctuation, a stand-in for a word, and as an art form. At every point where Wendell chose to & instead of and, I am happy.

I’ve misplaced the copy of Wheeler Lane I took with me to Philadelphia. I hope I left it on that ledge on the pier where I recorded my reading. I hope one of those parents, herding their toddlers over the grass and down the boardwalk, picked it up and stuffed it in a bag for later. Maybe, even though we’re still in a pandemic, they took the gamble, took the book, and left it safely in the garage long enough for surface-transmitted germs to die. I hope they remember some things they’d socked away in cabinets, memories shaken loose by Julia Wheeler’s poetry. Buy Wheeler Lane here.

Further Stuff:

Julia Wendell Learn more about the author and poet here.

How to Play Baccarat and Win – Learn in Less Than Four Minutes This is not an endorsement of Caesars Entertainment, nor of gambling, but where I found myself in my research.
Baccarat (card game) Here’s the Wiki-splanation.

What is the I Ching? – Chinafile.com Humans love to divine; we just want something to tip the scales toward a decision we can’t make. The I Ching has supplied philosophy, ethics, and authority for the arts & sciences for thousands of years.

Mathematics + Art: A Cultural History, Lynn Gamwell I own this book, and I write in the margins. It’s an impressive book in both heft and scope. My book club is enjoying it greatly; we made 5-minute PowerPoint presentations on chapters at a time.

Beware the Ides of March – but Why? – history.com Because you need to know, man. “It’s not really surprising Caesar was stabbed 23 times. He was surrounded by a mob of senators. They probably weren’t really good at stabbing people to death; they were politicians.” – Shiya Ribowsky

#uncoffeed… Things Which Are Not Mine to Carry My blog is an oleo (I said it like that so you can feel good when you use that word in a crossword puzzle.) A few of my ten-yearses are referenced in this true story of my date with Satan.

Portable Greenhouse – Igneus Press does not endorse this product, and neither do I. I think I want one, though.