THE SLEEP OF REASON, A COLLECTION OF POEMS Edwina Pendarvis, P. J. Laska, Peter Kidd: Review by Phyllis Wilson Moore

Words as Art in the Absence of Reason

A Review by: Phyllis Wilson Moore

In a rather Kafkaesque collection entitled The Sleep of Reason: A Collection of Poems by Edwina Pendarvis, P. J. Laska, and Peter Kidd, three seasoned activists, steeped in art, philosophy, history, and literature, provide an incisive glimpse at the state of the world and the political brouhaha and chaos we inflict upon ourselves.

The collection’s cover art, The Sleep of Reason Produces Monstrosities, by Francisco Goya, published in 1799, sets the stage for the words and images in the three sections of the chapbook. The title and the art serve to remind readers to consider world history.

Why Goya? Goya lived and painted during the last years of the Spanish Inquisition, a tumultuous period of war and corruption. He attempted to show the horrors of the day through art. Goya was labeled demented by Adolf Hitler.

Pendarvis builds on the Goya image by opening the chapbook with “Green Dreams”, a poem harking back to the Inquisition and the screams of martyrs, bloodied and broken on the rack, all in the name of religion.

Throughout, Pendarvis uses images of fire, bones, blood, cruelty, war, martyrdom, religiosity, and pollution, setting poems in the past and present. Her short poem, “Creche”, reminds readers of the January 17,1991, bombing of Baghdad. Aptly, Pendarvis compares the lighted sky above the city to a Christmas tree and the resulting death and destruction as the “gift” given the children of Baghdad.

She brings the sleep of reason closer home in “Farmer Brown Ascends the Gallows” as she reminds us of our nation’s history of slavery, the hanging of John Brown in Harpers Ferry, (now) West Virginia, and the subsequent Civil War. She calls Brown a planter of seeds and tells us his plants blossomed fire. The reason he was hanged? Treason. Many consider him a hero and martyr.

Pendarvis’s eight poems are followed by seven from P. J. Laska His first,“The Fall of America,” is a tribute to the work of the late poet Allen Ginsberg and Ginsberg’s collection, The Fall of America: Poems of these States 1965-1971, which shared the National Book Award for 1973. Like Ginsberg, Laska rails against the obvious destruction and contamination of the environment. He bemoans mountaintop removal in his native West Virginia, the waste clogged oceans, the struggling small towns.

He follows “The Fall of America” with a list poem,“The Greats”, a strong indictment of those using power for personal gain. Laska’s list includes “greats” readers will recognize from the daily news. Some of the greats may even produce a wry smile, perhaps “The Great Tweet” and the “Not-So-Great Offspring”. If reason sleeps, what is deemed great?

In his poem “Imagine Klee” Laska looks at Nazi Germany and Hitler’s confiscation and display of the paintings of artist he personally deemed mentally deficient or mentally ill. The crazed Hitler’s list included Klee, Picasso, and many others. Laska does not name Goya, but his work was included.

Peter Kidd’s section opens with the poem “2035”, a time when all water must be purified and the world we know no longer exists: shore lines are eroded, the climate is fierce, plants and trees are sparse. It reads like scary science fiction.

In his poems, Kidd details the impact of civilization’s “progress” and cites such particulars as the harm to dolphins off the coast of Hong Kong, the deforestation of the land, climate change, and the pollution of the ocean. He imagines the world his grandchildren will inherit.

Kidd adds some humor with “Autumn Afternoon Reflections”. He reflects on aloneness and aging: …”and now here I am/family grown and left/the dog has died/my mojo circle has shrunk/to my living room.” Despite the shrinking of his circle, his oneness with nature is illustrated in amusing conceits: damsel flies land on me/ the deer wink as they eat my grapes/ and the skunk waddles into my woodshed when I open the door.”

Kidd closes the collection with “Faults Shifted”, a poem with an optimistic core. His message: reason can be awakened and concepts can “get flipped” when reason is evoked.

The SLEEP OF REASON is word-art by three master poets. I feel sure Hitler would label them demented. I encourage you to consider their words.

The Sleep of Reason: A Collection of Poems by Edwina Pendarvis, P. J. Laska, and Peter Kidd, Igneus Press, 2019, $5

Numbers and Logic In the Use of Stanzas (Number Poems), by Peter Kidd

Photo: Sarah Stone

Number Poems, by Peter Kidd, were originally published with Chinese translations by Yin Xiaoyuan, for Beijing-based Encyclopedia Poetry Society, Feb 6, 2019

Numbers and Logic In the Use of Stanzas*

an assignment of international importance
and how the polymath soul
sews with
the very finest of
gold thread

fragments of content flourish
like never before
almost like there never was a before
the return of “vague categories”
in a time with boxes forming cubes

and yet there is recollection

repartee with legally dead souls

have you noticed the hat market
for men
is now exclusively for the bald

it’s not easy
giving away
the secrets

we’ve become a system
of mini systems
perhaps too many moving parts
to keep it running

and tho the spirit exists in divine deed
I’m surrounded by heretical do-aholics
auditioning for the yet to be filmed finale
it’s evening right after sunset
watching the damsel flies skim
atop the still pond
every now and then
dips
and swoops up larvae.

11/17/18

 

“ an homage to the power of the single image conjoinment ”

 

Couplets

Biblical Journalism
mixed with Whitman

something basic
and concrete

cornerstones
House of Creation

Melville, Whitman
Dickinson, Poe

if there is such abstraction
as say a literature

there’s a back and forth
involved in more than one process

a certain balance
to ambivalence

another abstraction, Society
unconsciously drawn to obscure

what is obvious to one
can be oblivious to another

it’s not the balance in things
so much as what weighs out

Process too
can be Precious

even the stars are not abstractions
they are physical bodies in a physical universe.


Title Should Be A Hand Drawn Black Ink Triangle

the center
the circumference
the radius

three part mystery
in the East
too

even thought requires thinking
then review the thought
and do something with it

Atman
Buddhi
Manna

holding
over
the square

in Time the present gives us
remembrances
imaginary futures

30 red roses
and
3 white roses

the conscious
the subconscious
the unconscious

the ability
to pull
it altogether

and act
gently
in the human condition.

 

The Square

the body
and nature
and all
that entails

the soul
our inner world
and that which
has longevity

the chi
in its singular
ongoing
ness

the small ego
without
upper case
authority.

 

Drawn 5 Pointed Star

the human form
arms out
legs apart
head up
engaged in poetry.

 

Three Sixes

marinated in supra illusions
taught tricks of the elements
they once worked expressly
in the psyche of humanity
with both the ability to speed it up
and slow it down at will

Lucifer
seduced by low level urges
self-righteous to the sixes
only emotion is pride
he lives in a soul swamp
and feeds on guilt and sentiment

Ahriman, too, evolving
from God of Dark for Zoroaster
into our second form
gets its kicks
on Route 66 dealing in fear and chaos
use a shield to reflect back his non self

Azuras
incarnating into our technology
contaminating for 52,000 years
this synthetic sun condition
the final lesson
about fossil fuels

the Trinity of Evil
working ever so hard
to slow down our awakening
frantic, dependent upon matter
becoming
the very last illusion.

 

Seven

each day
of the week
named after
a Primordial Planet
under its influence
subtle as
it may seem

a 49 petal rose
seven eras
in seven epochs
stretches out
evolution
post
Atlantis

seven burning bushes
eight junipers
placed upon a banking
accomplishing visual
design features
while stabilizing
the soil

seven red roses
in a bouquet
of fantasy
a
key
to the wonder
of the world.

 

Eight

the octave
of song
plays within
the Apriori Word
forming language
with which
to express
the Music of The Spheres

mental pictures
going through the scales
which no longer belongs
to Western mankind
solely
spices of antiquity from the East
simmering in the pot
of universal musicality

the muse
you say
yes
I obey
she comes
before dawn
the dew yet evaporated
from the lawn

to sing to
the Sun rising
from
the horizon
early meditation
to the songs
of the birds
in the dead elm tree.

 

Nine

it’s not for not
that the cat
a creature of curiosity
is given the option
to use 9 lives
in its exploration
of back alleys
secret spots
each a nemesis

nor did the Greeks
miscue
with their 9 higher worlds
or the 9 pillars
at the deep end
of a marble
pool
reflected
in its afternoon water

“the whole 9 yards”
the measure of which
appears to be everything
included
9 stones in the pre-zen garden
set in place by the imaginer
having serious
dialogue
only softened by the plants

each stone tells
the imaginer
where to place
the next stone
and this is how
it works
grail-like
step-by-step
all the way home…….

the imaginer
has already
mastered
inspiration
and
intuition
only to
begin again
at the imagination

9 eagles
fly for prey
in the western most pasture
9 rabbits
scurry
for cover
9 buffalo
graze
the grasses

 

Twelve

12 signs of the Zodiac
12 eggs in a dozen
12 inches to a foot
12 disciples of the Christ
12 is a dozen
12 geometries in Leonardo’s “Last Supper”
12 donuts a unit
12 bodhisatva’s circling Vishnu
12 apple trees in my orchard
12 months in a year to circle the Sun
12 days to Christmas
12 hours in a half day
12 minutes till two o’clock

the intuitive measure
of geometry
at its divine best
is the source
of unqualified beauty
these numbers
related to macrocosm
resonate
here
in the world
of malleable
nows

the abstraction
of all things
including numbers
can be a stretcher
but like all things
of substance
can be a risk
if the rubber
never
hits
the
road.

Sixteen

16 petals in the lotus flower
of the Troubadour
“4 squared” Bob Kaufman’s
first words to me
we were on about the solarplexus
this Amfortas
of the Piscean Age
to my Parsifal
of the Aquarian Age
each petal
both dark and light
illuminate the Atavistic
as well as the Contemporary
the blossom blooms
sets itself
a spinning

16 adventures
in the Minnesingers
tale
circling back
unto itself
alchymical initiation
this text
of oral
from town to town
singing their song
each night
to a new group
of souls
for a pittance
perhaps
food and some ale.

*The title preface poem “Numbers and Logic In the Use of Stanzas” was not originally included with “Number Poems”, as translated and published originally for Chinese readers. We publish Peter Kidd’s original preface to ’round out’ the experience for American readers.